Guest Post: Bill Walker
Posted September 14, 2009on:
Today we welcome Bill Walker, author of A Note From an Old Acquaintance!
I hear a lot about authors who outline their novels before they start writing, outlines that can often be quite extensive. I’m not one of them, at least not with the books I’ve written thus far. For me, if I had to sit down and ponderously map out every little move my characters make and every twist and turn of the plot, I would more than likely lose interest in taking it any further. To then sit down and write the book would be like repeating myself. At worst, it would be excruciating. At best–anti-climactic. And I need that catharsis that comes with discovery. More about that in a minute.
The method that works for me is to first have an idea so compelling that it seizes my imagination and won’t let go. Call it an obsession if you like, because I won’t deny that it has the feeling of one, and for me I need that unrepentant passion to carry me through the months of work to get to a first draft. The next requirement is discipline, having the will to sit and type at least three pages per day. If I want to do more, fine, but that doesn’t get me off the hook for the next day.
Because I’m a film school graduate, I have always tended to see my stories as movies on a big screen in my mind. And that is the way I write, in a sort of cinematic trance. While I have a firm grip on where the story is going, the characters will often assert themselves and take the story in a different direction. Sometimes I have to rein them in and, at other times, I’m delightfully surprised to find them taking me in a fresh direction I’d never previously considered. These are the moments for which all writers live, and an outline will kill it. Not because those moments will elude you if you’ve outlined your book, but because you’ve put so much work into that outline, you won’t want to deviate from it to go somewhere else with the characters and the story.
My advice, then, is to take that basic idea and just start writing it. Once you get the first draft down, THAT will be your outline. You will then be able to see what needs to be changed with a much clearer vision and you will not have hampered your creativity at the outset by creating a rigid roadmap.
A Note From an Old Acquaintance:
Brian Weller is a haunted man. It’s been two years since the tragic accident that left his three-year-old son dead and his wife in an irreversible coma. A popular author of mega- selling thrillers, Brian’s life has reached a crossroads: his new book is stalled, his wife’s prognosis is dire, and he teeters on the brink of despair. Everything changes the morning an e- mail arrives from Boston artist Joanna Richman. Her heartfelt note brings back all the poignant memories: the night their eyes met, the fiery passion of their short- lived affair, and the agonizing moment he was forced to leave Joanna forever. Now, fifteen years later, the guilt and anger threaten to overwhelm him. Vowing to make things right, Brian arranges a book- signing tour that will take him back to Boston. He is eager to see Joanna again, but remains unsure where their reunion will lead. One thing is certain: the forces that tore their love asunder will stop at nothing to keep them apart. Filled with tender romance and taut suspense, A Note from an Old Acquaintance is an unforgettable story about fate, honor, and the power of true love.